
Although the blockbuster’s clichés are evident,
the latest movie of James Wan is a logical horror construction with an
interesting rhythm and powerful image. Why see it? Because you are absorbed in
the plot narrative and you forget any thoughts about objectivity and story, as
this is a reason for doing so. Why not? Because some expressions dependent on
clichés, such as the permission of Vatican, are somehow repugnant to
make imagination roll on. We say logical but ok, not theological. Anyway, it is
nothing more than a horror movie. Don’t seek daisies in the desert.
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